The sculpture in the house is Southeast Asian, principally from Thailand and Cambodia, with a few pieces from Burma. The collection consists of Buddha images and fragments covering fourteen centuries and contains some of the finest pieces reflecting the principal styles in Southeast Asian art. Thompson was fascinated by the degrees of subtlety on the seemingly stylized faces. This fascinated him and he gradually developed a great admiration for Buddha images. Subsequently he began to collect Buddhist Art.
Buddha meditating on a naga (serpent). Carved from beige sandstone, the 80cm. tall statue is of the Lopburi School – 13th century and came from the Supanburi Province in Thailand. The thoughtful face with closed eyes helps to identify the piece as being an example of Bayon art.
Bust of Buddha in brown limestone from the Lopburi region – Dvaravati School, 8th century. The wide face with a strong nose and fleshy lips, round eyes and arched and joined eyebrows are very characteristic of the Dvaravati School.
Head of Buddha in beige sandstone, Ayutthaya School, U-Thong style, end of the 13th century.
The hairstyle of small curls topped by a flame-decorated ornament, finely edged. A wide face with a strong chin, a wide mouth, slightly arched brows, and half-closed eyes convey serenity. All of these characteristics are evidence of close links with the Lopburi School.
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